共時性 • Synchronicity

The painter is like a butcher, cutting and deconstructing the body to find where the soul is, or though the pain of cutting, to provide the evidence of living.

Carl Jung, the founder of analytical psychology, introduced the theory of synchronicity as a hypothesis of an "intersubjective" or "philosophically objective" connection between meaningful coincidences.

"Synchronicity" represnts as the central theme of Yun Chin Hsu's latest exhibition, where she combines sculptures, photography, and drawings created over the past three years.

In her most recent series of drawings, Yun Chin explores the essence of "meaningful coincidence" through the continuous creation and erasure of complete images on canvas. She focuses on self-portraits to express both the subjective and objective aspects of direct creation, with the intention of presenting images that exist but do not exist. The finishing dates are recorded on the side of the paper during the subsequent reconstruction. Yun Chin creates a space for narrating the past that has been wiped away and for the emergence of the present. By consistently removing distinct lines, she aspires to depict the realms of the subconscious, past lives, and the realities of dreams.

By blending conscious and unconscious elements in her creative process, she intentionally removes and obscures the components that typically constitute a complete image. Her belief is that the true meaning of life often lies in the insignificance of what we consciously consider important, while the authenticity of life is revealed through unconscious reactions and dreams.

這次的展覽結合過去三年創作的雕塑，攝影跟繪畫彼此之間呼應了「共時性 •Synchronicity」這個主題。

最新創作的素描作品透過在畫面上不斷的建構完整的形象和消除之中，我在尋找“有意義的巧合”的本質。
以自畫像為主題來表現既主觀又客觀的直接創作。希望呈現存在但不存在的影像。
透過有意識與無意識的創作，有意識的刪去塗抹掉一般來說構成完整畫面的部分。
因為我相信大部分現實生活認知重要的細節都不重要無意識的反應跟巧合反而透露生命最真實的軌跡。
我的自畫像本身是一張不斷變化的畫布。透過不斷抹掉完整的線條，然後重新構建。作品邊緣的時間記錄以及堆疊的筆觸，述說了被抹去（已流逝）的過去和新生的現在。
通過持續抹去明確的線條，我嘗試繪製潛意識中的前世和夢境現實。